Electronic composer Midori Hirano is in Berlin just now at the invitation of the Berlinale; she's also playing a show on Friday night at the Electronic Church. I last saw her in June in Kyoto, where we ate a meal consisting entirely of different types of tofu.
Hisae and I invited Midori to dinner last night. After delicious dishes of shepherd's pie and banana cake (no tofu this time!) accompanied by projections of the semi-ambient films of Werner Nekes, I broke out the electric harmonium and Midori treated us to an impromptu version of Silviphobia, the track she made for o.lamm's last album. In fact, it was slightly "promptu"; Midori needed the Silviphobia video itself to remind her of all the song's different sections.
From that, free association on air-powered keyboards (Midori) and selected, projected internet (me) led us somehow to Airships by Metallic Falcons, a band involving CocoRosie's Sierra Casady:
Here's an interview she did with Pop 2, a French rock show, also in 1972, which shows her pumping the "throne of doom" and singing live:
After Midori had disappeared into the night (leaving behind an improv composition she'd played into my sequencer), I got to watching some new YouTube videos using my songs. Well, they were new to me, anyway, and they seemed to express YouTube's typical tics as well as its ceaseless expansion.
There was a race-track take on one of my better "lost" songs, The Hippy Analog Portapak Video Revolution, a reading of Summer Holiday 1999 just featuring the static cover of the album, a predictable Johnny Depp-ized Is it because I'm a Pirate? with the description "the song "is it because im a pirate" by the band momus not very good but if the images were better it would be funny" (luckily all the commenters liked the song better than the video), someone's holiday photos set to Rhetoric (it was odd to hear the lines "the lovely owl upon the bough is swooping down for me / the brambles tangle round and round far as the eye can see" and see a family seated around the dinner table) and a real-life reformed drug addict singing the song I wrote with an imaginary reformed drug addict narrator, Saved.
It occurred to me that this is a vital form of folk culture, and that, while folk forms may have followed Nico into the left field or disappeared into ethnographic museums, popular contemporary folk improvisation is more likely to happen on YouTube these days than any barnyard hootenanny, and as likely to use computers and video projectors as pump organs, banjos and harmoniums. I say that based as much on self-observation as mass observation; the way I use YouTube has become a stream-of-consciousness, a train-of-association in which I jump from one "note" to another. Rather like an improvising folk musician, in fact, or an electronic hobo jumping trains.
some old italian guy was just telling me what a horrible person nico was , after i explained my love for her beautiful ghost- like voice. she looks well sexy in photos, but he informed me of her haterd for dark skinned folks and a love for musolinni.shame. But artist we like and cherish dont really need to be our best friends..the best ones tend to be fuck up mentalists , its kinda more interesting..
Well, as long as she didn't love Mussolini, I'm okay with it. The important thing is that she never did anything as pretentiously awful as Madonna's new film sounds to be.
"[Madonna] has made a movie so incredibly bad that Berlin festivalgoers were staggering around yesterday in a state of clinical shock, deathly pale and mewing like maltreated kittens."
that's bullshit...she hung around lots of Middle Eastern people and loved Miles Davis. I'm sure plenty of people have reason to want to misremember her out of jealousy for her radiance.
What did we do before youtube? A long time ago (lets imagine ourselves in period drama gear), we sat around and listened, after diner, to the sweet melodies coming from a young girl playing the piano in the music room. Oh Momus you have combined the old and the new so well.
Not sure whether this is old news (I don't read comments here every single day)
From last Friday's Holy Moly (British, bitchy and sarcastic celebrity gossip website and e-mail) mailout:-
Justin Currie from Del Amitri (Nineties Scottish band specialising in hypnotising the world to sleep via the power of dreary folk) quite often goes to Optimo at The Arches in Glasgow. A regular loves it when Currie turns up as it gives him the opportunity to run up to him wide-eyed and excited and go "Hey! Aren't you... Momus's cousin??" (he is, apparently Momus is an oddball Scottish journalist and songwriter, although it sounds more like some sort of chemical to us). Apparently Currie falls for this every single time and gets well hacked off.
I used to feel inclined to dismiss everything I read on there as tripe, not so sure I should be so cynical now!
His narration reminds me of the narration in Trainspotting, although I didn't have to have subtitles to understand him like in the movie.
(Justin will always remain your cousin and not the other way around in my eyes. He's too whiny for me, with a look like he's always pissed off. At least you smile every once in a while!)
It interests me that Nico spent some time living in Edinburgh's New Town in the early to mid 1980s or so some of my older junkie Lou Reed loving friends used to tell me. Maybe it was when Auld Reekie was the heroin Capital of Europe. Maybe it was someone who looked like her or had the same name. I can just imagine some dark centre roaming wraith like in and out of subdued lighting gouch flats and people saying, "Mmmm. Was that Nico?" Just been watching Cicatrice and Le Berceau de Cristal. Her crying at the beginning of Cicatrice is quite demanding. I cannot imagine enduring it in a 1970s arthouse cinema.
Okej, seriously, thank you for showcasing Nico. She's pretty much one of the best things ever, and I must see La Cicatrice. I don't care if Garrell is trying to have the DVD release blocked... Man, her voice is like a tired yet eternally watchful mother of the apocalypse...A female Scott Walker. I tremble.
What I love about YouTube and the internet in general is that it is truly interactive. I'm reminded of what Godard said about video in the seventies. That video is more like the human body - it has an input and an output.
I'm also glad that the word tube is living on, now that the nineteenth century technology of the cathode ray tube is being phased out. A glass tube filled with magic (toxic) gas that pulled in sounds and images from the air. A beautiful thing.
I'd like to say that it was on this day in 1979 that a certain someone that Momus can't mention in song anymore had declared that he was was now a women and wanted to be referred as that from then on.
appeared somewhat randomly when I searched for Momus in YouTube....and I wondered what does this have to do with Momus?? After watching it for a few minutes, I still had no idea...and then magically, half way through - I'm just not sure it gets better than this. Every byte of this video is awe inspiring on so many different levels!
the last sentence made me wonder what you'd think of i'm not there the new todd haynes bob dylan movie.
word, the folk tube is an epic and endless process of digestion and redistribution of cultural capital. it's a fantasy coming more true every second! everything is outsider art!!!!!!!!!!!!!
Just curious, you mentioned Nico's harmonium phase (which I love too, being both a fan of the harmonium and of the woman herself). What's your take on Chelsea Girl (the album)? Despite knowing the fact that she herself was unhappy with it, and wrote only a couple of the songs, I still can't help but love that album if only for fact that it appears to be incredibly influential in today's chamber pop.
I'm horrible at making commentary about music, but I'd love to hear your thoughts. =P
..loved that portapak song! great music, interesting arrangement, nice twists in the lyrics - why was it 'lost' in the first place? as I have a number of portapaks I might make an improv video for it myself using my old analogue skip finds.
Well, in about 1997 I planned an EP called "Sports Pierrot" with LGM, my US label. "Hippy Analog..." was going to be the lead cut. But then we gave the track to some compilation or other and scrapped the EP for lack of funds, I think. The song never really fitted any of the albums after that -- it's a bit grungey -- so it got lost. A new video with pictures of portapaks would be cool!
...job done! now I just need a way of getting it you you. I aim to be in Berlin early July - funds permitting-to do sound work with Rinus. Failing that we'll find another way.