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click opera - Mass Observation
February 2010
 
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Thu, Nov. 18th, 2004 12:31 pm
Mass Observation



In 1936 King Edward VIII of Britain gave up the throne to marry the American divorcee Wallis Simpson. One of the stranger results of the abdication crisis was that, indirectly, it inspired Mass Observation, the greatest grass-roots documentation project Britain has ever known. I'm thinking about Mass Observation right now because I'll be making sonic 'observations' of the people of Hakodate, Hokkaido in a couple of months. But also because blogging is a form of 'mass observation'. It's all about gathering information about what people are really thinking and feeling.

Edward's abdication really brought home to British left wing intellectuals the gap between themselves and the masses. Rather than thinking in terms of class struggle, the British population was obsessed with royal tittle tattle and romance. (Plus ca change...) One of these intellectuals, Charles Madge, wrote a letter to the New Statesman saying that it was time the left found out what the British people were really preoccupied with. This, he said, should be done by a series of 'mass observations'.

And so, in 1937, Tom Harrisson, Charles Madge and Humphrey Jennings set up Mass Observation. They aimed to create an 'anthropology of ourselves' by studying the everyday lives of ordinary people in Britain. They recruited a team of observers and a panel of volunteer writers. By the end of 1937 there were more than 500 unpaid volunteers working on the project. First, they were asked to keep a detailed account of everything they did from waking to sleeping on the 12th day of each month for a year. Later, special days - such as Easter Day and August Bank Holiday - were chosen and recorded in the same way. The team of observers went into many different public situations -- meetings, religious groups, sporting and leisure activities, the street, work. They recorded people's behaviour in as much detail as possible.

You can see the contents of the Mass Observation archive here. It's kept in a rather charmingly ramshackle series of numbered boxes. Box TC7, compiled in 1938, is titled 'Happiness'. It contains a survey dressed up as a competition, 'What is Happiness?', an assortment of typed statements on happiness, handwritten analytic tables, handwritten quotations from Rousseau and Pope, two pages from the New Statesman and some follow-up questionnaires. Box 12 is about sexual behaviour. Appendix 1 is entitled 'Abnormality' and contains an incomplete handwritten account of a visit to Brighton by a group of homosexual men. Although Jennings and Madge moved on, Mass Observation continued throughout the Second World War. The project continued into the 1950s, during which time a series of books and many reports were published. The archive is currently kept at the University of Sussex, and you can find out more at their Mass Observation website.



Humphrey Jennings, described by Lindsay Anderson as 'the only real poet that British cinema has yet produced', was the son of an architect and a painter. He took a starred first in English at Cambridge in the 20s and edited a literary magazine called Experiment. In 1934 he joined John Grierson's GPO Film Unit, which made famous poetic propaganda films like the W.H. Auden-scripted 'Night Mail'. In 1936 Jennings helped organise the first Surrealist exhibition to be shown in London and in 1937 helped found Mass Observation. Throughout the 40s he directed documentaries including the morale-boosting classics London Can Take It and Fires Were Started, films in which working class people talked unscripted (rare at the time) and people could be seen scratching, loitering, chatting. Jennings died in 1950 on the Greek island of Poros after accidentally slipping off a cliff while location-scouting for The Changing Face of Europe, a film about health.

There's a good Channel 4 microsite about Kevin McDonald's documentary
Humphrey Jennings: The Man Who Listened to Britain
. On it you can see short clips of Jennings' films Spare Time, Listen To Britain, and Fires Were Started. The glimpse they offer of 1940s Britain may not be 'unmediated', but it does preserve that era's otherness better than most accounts.

There are deep ironies in Jennings' work. His decision to depart from Marxist class analysis and look, instead, at what British people were really interested in might be seen as the first of many concessions and compromises made by British media professionals, who've preferred to pander to populist taste rather than educate and politicize. His mixture of propaganda and observation is epistemologically uneasy, and could be seen as the beginning of 'the society of spectacle' and even of the bogus 'observations' of reality TV. And it's odd that the other 'poet' this gifted left wing film-maker makes us think of, as we watch his staged scenes of ordinary working class heroism and feel the deep 'otherness' of the 1930s and 40s, is Leni Riefenstahl.

6CommentReplyShare

sparkligbeatnic
sparkligbeatnic
Thu, Nov. 18th, 2004 12:04 pm (UTC)

Best 'Click Opera' entry in a while! Thanks.

If you're going to be making sonic observations, you may be interested in the new Edirol R-1 24 bit Portable Wave Recorder & Player.



Not sure if you saw the note I left in Marxy's blog - I was in Hakodate for a few days at the end of last week. One of the odder bits of synchronicity lately.


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w_e_quimby
w_e_quimby
hobbes
Thu, Nov. 18th, 2004 12:29 pm (UTC)

But also because blogging is a form of 'mass observation'. It's all about gathering information about what people are really thinking and feeling.

I've been thinking along the same lines... I like to read through the journals of other people and try to understand what they see, feel, think and why and how. That is one of the major reasons I stay on livejournal-- more to observe than to be observed.


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steviecat
steviecat
Stephen Drennan
Thu, Nov. 18th, 2004 02:55 pm (UTC)

I'm enjoying reading my review copy of the new Humphrey Jennings biography. And yesterday, whilst doing the annual fiction cull in the secondhand bookshop I work in, I noticed that there's a photo of Jennings on the cover of an Penguin Evelyn Waugh paperback.
I'm very keen to get hold of that Britain By Mass-Observation book, plus the Mass-Obs. book that came out in the 'eighties.
The Mass-Obs. archive is held quite near me - over at Sussex University.


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mattcallow
mattcallow
Noircrème-Anglaise
Thu, Nov. 18th, 2004 03:08 pm (UTC)

mass observation is still going strong. i was a correspondent for a while in the mid-nineties when they were particularly looking for young males to get involved 9they probably still are). dorothy sheridan who runs the project at susex is lovely. it was pretty good fun for a while but soon became a bit too much like school homework...


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imomus
imomus
imomus
Thu, Nov. 18th, 2004 03:27 pm (UTC)

You should just have sent them that animated GIF instead and let them watch and transcribe it!


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jermynsavile
jermynsavile
jermynsavile
Fri, Nov. 19th, 2004 08:51 am (UTC)

Have you tried his Pandemonium: The Coming of the Machine As Seen by Contemporary Observers, 1660-1885? Ordinary people witnessing something amazing. A direct link with his films too.


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